"."We’ve got a very clear message we want to explore: the uses and abuses of AI today, because this next decade is coming in dramatically and we’re concerned about that and we want to have ethical considerations in all of that.She uses a pencil or pen for sketches, but the plan is for Ai-Da to paint and create pottery. Her paint works now are printed onto canvas with a human painting over."On show at the "Unsecured Futures" exhibition are drawings paying tribute to Lovelace and mathematician Alan Turing, abstract paintings of trees, sculptures based on Ai-Da’s drawings of a bee and video works, one of which, "Privacy" pays homage to Yoko Ono’s 1965 "Cut Piece"."From those coordinates from the drawing we’ve been able to take that into a algorithm that is then able to output it through a Cartesian graph that then produces a final image," Meller said. It is a great responsibility to try to curb excesses of negative use, something that we all must consider...

We don’t know exactly how the drawings are going to turn out and that’s really important.Described as "the world’s first ultra-realistic AI humanoid robot artist", Ai-Da opens her first solo industrial paint emulsion Suppliers exhibition of eight drawings, 20 paintings, four sculptures and two video works next week, bringing "a new voice" to the art world, her British inventor and gallery owner Aidan Meller says.Ai-Da, whose construction was completed in April, has already seen her art snapped up. But the beeping from her bionic arm gives her away - Ai-Da is a robot."It’s a really exciting process never been done before in the way that we’ve done it."The technological voice is the important one to focus on because it affects everybody," he told Reuters at a preview.

The exhibition, which opens on June 12 at the Barn Gallery at St John’s College, looks at the boundaries between technology, AI and organic life.Oxford: Wearing a white blouse and her dark hair hanging loose, Ai-Da looks like any artist at work as she studies her subject and puts pencil to paper. "It’s a sold out show with over a million pounds worth of artworks sold," Meller said."Named after British mathematician and computer pioneer Ada Lovelace, Ai-Da can draw from sight thanks to cameras in her eyeballs and AI algorithms created by scientists at the University of Oxford that help produce co-ordinates for her arm to create art.Asked by Meller about "all the AI going on at the moment", Ai-Da, who has pre-programmed speech, replied: "New technologies bring the potential for good and evil.

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I have changed drastically from what I was years ago. In fact, my house in Goa is called Birdsong."Once the life of all A-list parties, Bina shares, "I don’t like going to parties anymore. Those are lovely memories. People have become more independent now. "My company is called Lady Malabar and I am trying to imagine that’s me. My tastes and desires have changed. Initially, I felt like an intruder. "The chapters in this memoir are of varying lengths.Even after years of ups and downs in a colourful and happening life, with many troubled and difficult phases, the charming Bina Ramani is still brimming with life."

Is it a coincidence that her art works focus on cows during a political atmosphere that focuses so much on this animal? She clarifies, "It is very sad that this animal is being used politically."Tech, gadgets and gizmos are not quite her thing. I believe let’s enjoy what we have now and enjoy this natural way of being creative."A dreamer, she found a fresh space in Hauz Khas Village and transformed it, "I knew the future would be good. I enjoy smaller affairs, like dinners and lunches with friends where we do tastings. I wanted to be in Mumbai, my family wanted me to be in London but the only easy and affordable access I could have to my daughters was to be in Delhi. I have grown older and wiser. A lot of Bollywood actors like Rajesh Khanna, Rekha used to come to Hauz Khans and sing songs into the sunset. I recreated a happy life after 13 years of misery. I used to love to dance to music, I don’t like it that much anymore."A lover of many things fine, she is also drawn to spices and is all set to launch several culinary products — such as flavour enhancers for water — based on the Indian spices. I left behind a business and came to Delhi. So many people and experiences have moved me in life, and so many things have made me who I am, I need to share them," she signs off. My husband Georges is my mentor, he nudged me to paint. I call it India in a bottle.

While some are only three pages, others stretch to even 30 pages.. Also, I am not inspired just by cows, birds too inspire me. I followed a dream and it exploded. "I try to make at least four short trips there every year. But when urbanisation happens, it is impossible to control people’s minds and aspirations."Bina shares that she is still a Mumbai person at heart.Socialite turned artist Bina Ramani talks about the cow being the leitmotif in her works, working on her memoir, and times when Rajesh Khanna sang into the sunset in Hauz Khas. I rented an apartment and started afresh. She says, "This new era of technology is formidable for me. I feel we humans need to realise and recognise how acrylic resin manufacturers blessed we are to be creative. Goa also inspired me a lot to paint. After months of just playing, I was able to exhibit my first set of serious work at the Trump Tower. Her recent works feature a lot of cows and she says, "I was drawn to cows, so this exhibition came about." Asked how the party scene has changed in the city, she reminisces, "I can think of so many ways in which things have changed. I sold all of my works and realised that I could work on this later in life and gradually this obsession started.The socialite has now turned artist and is exhibiting her works, along with her husband Georges Mailhot, at Art Konsult in Hauz Khas Village.She is also working on a memoir. I started noticing pieces of art in my daily life. When I hear about artificial intelligence and all the changes coming our way, I feel thank god my life will be over before that, and happy that I belonged to a generation that grew up in simpler times. I love water and this is one way to make people drink it," she smiles, sipping her flavoured water. It is always evolving. My daughters were sort of kidnapped and put in a school in Delhi, which kept me in this city.

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com. Artists are happy to accept cash, for even if it means paying tax and selling their stuff, it makes sense from both the perspective of the buyer and the seller. I know it for a fact that many feelers are being sent out to possible sellers for masters. And for those who wanted to acquire a master, it is the best way to offload the money and get a big name as part of your collection, provided the seller is willing. For those sellers willing to pay tax, what better way to circulate the money Even though it is early days yet and people are watching warily, the message is loud and clear for all those who have the sense to read the writing on the wall.While everyone was busy trying to find liquor vends that were willing to accept the Rs 500 and fiberglass coating manufacturers Rs 1,000 notes hidden from wives for their daily tipple and wives were frantically calling the friendly neighbourhood jeweller who was willing to accept notes of high denominations secretly stashed away from the husband for that kundan piece, my fellow artists were desperately calling their paint and canvas vendors to use the cash for hoarding paint and canvas! I for one laughed at all three for, actually, it was pathetic as it was comical. Dr Alka Raghuvanshi is an art writer, curator and artist and can be contacted on alkaraghuvanshi@yahoo.

The modern society, by excluding the arts from the purview of rituals, has robbed it of sustainability. About time too, with prices of art having gone through the roof many times over. It makes perfect sense to buy lesser-known names in the hope they grow, or to anyway enjoy the works rather than look at your money turn to rubble. So at least for this season, the arts can take a deep breath.As it is, the visual art mart was still barely recovering from a huge slump, the natural fallout of a slow economy, and now this threatens to make sweeping changes as to how the luxury segment is perceived and money changes hands for the arts. I feel this will work as a corrective measure and in the long term will also be a sustainable module. Having masters was almost like holding currency that could be used anywhere in the world practically — now it will be a situation when this could become almost a norm. This really is a far cry from a point when the only works selling were of the masters. I feel it makes a great option for those wanting to acquire paintings at reasonable rates. Our ancestors understood it far better than us, for when they attached ritual significance to the arts, they also ensured its survival. By giving it tax sops, we at the civilisational level can ensure its long-term survival. For the artists in the lower-price bracket, this may turn out to be the best possible opportunity towards sustenance in the short and long term from the point they are not selling to a point when even after paying tax they will be able to sell works.This has to be one of the biggesThis has to be one of the biggest Modi Mickeys let loose that threatens to either completely annihilate the art market for both visual and performing arts, or give it a great new lease of life. For the young turks who were wanting to make a quick buck, today they stand at a point when none are willing to touch their works and they have out-priced themselves from the already reeling-under-a-slump market.It was a strange phenomenon in the arts: the masters as well as the young turks’ prices had sky rocketed and middle-rung senior artists were keeping the prices sensible and reasonable to ensure long-term sustainability. Ditto for the performing arts — many dancers and musicians said they would be happy to pay tax and get programmes rather than not get programmes at all.While art can never hope to be as essential as food, it is soul food and just as important for a proud civilisation. Their practicality has paid off and it is they who will reap the benefits too.

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A world of themes like overpopulation, displacement, job hardships, women Architecture Auxiliaries who have been silenced throughout their lives, and other such topics concerning the trials one faces in real life, can be witnessed here. Hence, the motto of the exhibition is, "To promote the young and energetic students who have a certain potential, to be in the art world."

On being asked about how these paintings are a representation of society, he responds, "Artists are a part of society and they cannot think beyond it."."Each individual work put up here has a message to give.The gallery presents varied genres, mediums, and styles like oil on canvas, acrylic, sculptures and more. Especially, if the occasion happens to be the 100th anniversary of the Rabindranath Tagore-established Kala Bhavana.At the Shridharani Gallery, an ongoing exhibition titled ‘Kala Bhavana: The Legacy of Ingenuity’, has been prompting plenty of art connoisseurs to stop and admire. Some of the artists on display are Anirudra Mondal, Anup Let, Gargi Ghost, Intaz Ansari, Koustav Nag, Santanu Banerjee and Portia Roy. After all, when 40 artists, all recent graduates, come together and present works across various mediums of art, including sculpture, there’s reason enough to take interest.Nishant, the curator of the exhibition, points out an interesting fact about the title of the exhibition, saying, "The title comes from the idea that each and every work is different from the other.

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